The camera pans over the eddying, undulating sea. You want to go there. You want to be there — until the screen fills with a psychedelically gross oil slick; a thick viscous mat of black, brown and orange crude oil, lapping up against the edge of a Louisiana bayou.
In “Dirty Energy,” director Bryan Hopkins of Wyandotte peers into the human cost of the Deepwater Horizon oil disaster in the Gulf of Mexico, which began in April 2010 and continues to this day despite BP’s commercials to the contrary.
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